Oscar Schwartz

Oscar Schwartz is a writer and journalist based in Melbourne, Australia.

He is a co-founder of The Paris End, a newsletter of culture and society.

His award-winning essays and journalism have appeared in The New Yorker, Harper’s, The Paris Review, The Drift, The Sydney Review of Books, among others.

Contact

scarschwartz at gmail dot com

Represented by

Chris Clemans at Janklow & Nesbit Associates, New York.
Oscar Schwartz

Selected Works

Recent Writings

[2026]

How a Mass Shooting Shattered Australia’s Political Consensus, The New Yorker [Journalism]

Journalism

[2024]

A Bullshit Genius: On Walter Isaacson’s Biographical Project, The Drift [Essay]

Essay

[2024]

What if We’re All Self-Playing Harps?, The Paris Review [Essay]

Essay

[2024]

Against Rereading, The Paris Review [Essay]

Essay

[2024]

A Portrait of the Artist as an Amazon Reviewer, The New Yorker [Review]

Review

[2023]

Father Figures, HEAT magazine [Essay]

Essay

[2023]

Li Ziqi’s Online Pastoral Poetics, The New Yorker [Essay]

Essay

[2022]

Scenes From a Crisis: Selfishness Switches Genders, The Drift [Essay]

Essay

[2022]

What Was the TED Talk: Some Thoughts on the “Inspiresting”, The Drift [Essay]

Essay

[2022]

Fighting Fire With Fire: Can Aboriginal Knowledge Save the World From Burning, The Economist [Journalism]

Journalism

[2021]

Doctors Often Prescribe Placebos. But How Well Do They Work?, The New York Times [Journalism]

Journalism

[2021]

Four Dead Infants, a Convicted Mother, and a Genetic Mystery, WIRED [Journalism]

Journalism

[2021]

Blood Lies: An African Australian DNA Nightmare, The Monthly [Journalism]

Journalism

[2021]

The Alien Hunter of Harvard, The Economist [Journalism]

Journalism

[2020]

A Deluge of Death: How Reading Obituaries Can Humanize a Crisis, The Guardian [Journalism]

Journalism

[2020]

A Deadly Mosquito-Borne Illness is Brewing in the Northeast, OneZero [Journalism]

Journalism

[2020]

A Geneticist’s Dilemma, The Washington Post Magazine [Journalism]

Journalism

[2020]

Stranger Than Fiction: The Story of The Epoch Times, The Atavist [Journalism]

Journalism

[2020]

The Jewish Ugliness, Protocols [Essay]

Essay

[2020]

After the Protests, Lingering Trauma: the Scars of ‘Non-Lethal’ Weapons, The Guardian [Journalism]

Journalism

[2020]

Out of Africa: How the Legacy of Colonialism Threatens the Future of Genetic Research, Harper’s Magazine [Essay]

Essay

[2020]

My Journey Into the Dark, Hypnotic World of a Millennial Guru, The Guardian [Journalism]

Journalism

[2020]

Electoral Distancing: Australia’s Bernie Sander’s Volunteers, The Monthly [Journalism]

Journalism

[2019]

Unpopular Content: Outsmarting the YouTube Algorithm, The Baffler [Essay]

Essay

[2019]

Meet Gavin, the 8-year-old With a Face Shared Over 1bn Times, The Guardian [Journalism]

Journalism

[2019]

What Does it Mean to be Genetically Jewish?, The Guardian [Essay]

Essay

[2018]

Competing Visions for AI: Turing, Licklider and Generative Literature, Digital Culture and Society [Research]

Research

[2018]

How the Media Gets AI Alarmingly Wrong, The Guardian [Essay]

Essay

[2018]

Can You Fall in Love With a Scripted Robot?, The Guardian [Journalism]

Journalism

[2017]

The Aeolian Poetics: Computation as Metaphor for Poetic Production in English Romanticism, Electronic Literature Organization Conference [Research]

Research

[2017]

How 'Self-Driving' Trucks Connected the Australian Outback, The Atlantic [Essay]

Essay

[2017]

Lucky Luke: The Poet Whose Muse is a Dialysis Machine, The Monthly [Essay]

Essay

[2017]

The Joy and Misery of Cybersex: Two Decades of Online Intimacy, Sydney Review of Books [Essay]

Essay

[2015]

Humans Pretending to be Computers Pretending to be Humans, Winner of The Lifted Brow Creative Non-Fiction Prize [Essay]

Essay

[2014]

Swipe Right: Stories from Tinder, The Lifted Brow [Essay]

Essay

[2013]

Un-Australian English: The Poetry of Chris Mann, Cordite Poetry Review [Research]

Research

[2013]

Like Dicks in the Night: Why Men Use Omegle to Masturbate, Vice [Essay]

Essay

Books

[2028]

A Gay Girl in Damascus, Random House [Fiction]

Fiction

[2025]

EXCLUSIVE! Dispatches from The Paris End, Cameron Hurst, Sally Olds, Oscar Schwartz, Giramondo
“How can something as scarily hip as The Paris End also be so warm and clever and endearing?”
— Helen Garner [Essay]

Essay

[2017]

The Honeymoon Stage, Giramondo
“The Honeymoon Stage could be read as a damning, and extremely funny, reflection on the apparent vapidity of online interactions, but Schwartz’s approach is more complex, engaging equally both critical and playful modes.”
— Bella Li, Overland. [Poetry]

Poetry